Q&A with Ryan Enn Hughes ← Back to the Interviews
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The 360 Project evolved from my obsession with imaging technology and my on going desire to collaborate with dancers. In terms of technology, Michel Gondry’s music video for “Like a Rolling Stone” (http://www.youtube.com/watch?
Where does the infusion of images and sound come from?
Music Videos have been a big influence on me and my work. I like editing visuals very sharply to audio – very aggressive at times. It’s been said ‘sound is as important as visuals in motion pictures, if not more so’ – and I believe this. It really makes or breaks a project. For “The 360 Project” I worked with Zelig Sound (http://zeligsound.com), a great firm based out of London.
The two styles of dance represent polemic perspectives in both technique and origin. Ballet is incredibly traditional and structured, while Krump is a relatively new dance form that’s constantly evolving. I was attracted to the idea of involving both styles, as I identify with each art form – one is regimented, the other is wild. I’m constantly drawing from these two perspectives during the creation process.
KRUMP 360 (The 360 Project) from Ryan Enn Hughes on Vimeo.
BALLET 360 (The 360 Project) from Ryan Enn Hughes on Vimeo.
The 360 Project – Behind the Scenes from Ryan Enn Hughes on Vimeo.






